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Graphics, Branding & Media

Video preflight

By Tony Paris · November 5, 2026 · 2 min read

Drafted with AI and published by AppWT.

I use this checklist before every video shoot to prevent delays and retakes. You can apply it this week with your team and keep production organized.

Video preflight is a short checklist I run before a shoot to avoid waste and stress. Use my list to confirm story, script, gear and backups before you press record.

Planning checks

  • Write a clear one line goal so every choice supports the message.
  • Get the storyboard and shot list approved so you do not miss needed shots. A storyboard is a rough sketch of scenes and a shot list is the capture sequence.
  • Read the script aloud and time it so length fits the plan and attention span.
  • Confirm talent names and titles so on screen text is correct and respectful.
  • Scout the location at the same time of day so you catch noise, echo and light direction.
  • Secure permissions and releases so you have the right to publish, and confirm specifics with your attorney or compliance advisor. A release is often a simple form allowing use of a person's image or voice.
  • Send a call sheet so everyone knows when to arrive and how to reach you. A call sheet is a one page schedule and contact list.
  • Set a plan B for weather, power or absence so the day still works.

Shoot day checks

  • Charge batteries and pack spares so dead gear does not stop momentum.
  • Format cards in camera and label them so you avoid errors and mixups.
  • Record a ten second test clip so you confirm focus, exposure and audio before you roll.
  • Roll two independent audio sources so you have a safety track if one fails.
  • Set white balance for the lights so colors stay consistent across shots. White balance is the camera setting that controls color cast.
  • Lock frame rate and aspect ratio so footage matches in edit. Frame rate is frames per second and aspect ratio is the frame shape.
  • Capture thirty seconds of room tone so you can smooth gaps in dialog. Room tone is the natural sound of the space.
  • Get planned b roll so edits cut cleanly and scenes feel real. B roll is extra footage that shows context.
  • Review the first take on headphones and the screen so you catch hum, glare or clutter early.
  • Offload to two drives and verify playback at breaks so nothing is lost.

If you want help, I offer Content & Media > Video & Animation. I can guide your team through this preflight and support planning and production.

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