I use this checklist before every video shoot to prevent delays and retakes. You can apply it this week with your team and keep production organized.
Video preflight is a short checklist I run before a shoot to avoid waste and stress. Use my list to confirm story, script, gear and backups before you press record.
Planning checks
- Write a clear one line goal so every choice supports the message.
- Get the storyboard and shot list approved so you do not miss needed shots. A storyboard is a rough sketch of scenes and a shot list is the capture sequence.
- Read the script aloud and time it so length fits the plan and attention span.
- Confirm talent names and titles so on screen text is correct and respectful.
- Scout the location at the same time of day so you catch noise, echo and light direction.
- Secure permissions and releases so you have the right to publish, and confirm specifics with your attorney or compliance advisor. A release is often a simple form allowing use of a person's image or voice.
- Send a call sheet so everyone knows when to arrive and how to reach you. A call sheet is a one page schedule and contact list.
- Set a plan B for weather, power or absence so the day still works.
Shoot day checks
- Charge batteries and pack spares so dead gear does not stop momentum.
- Format cards in camera and label them so you avoid errors and mixups.
- Record a ten second test clip so you confirm focus, exposure and audio before you roll.
- Roll two independent audio sources so you have a safety track if one fails.
- Set white balance for the lights so colors stay consistent across shots. White balance is the camera setting that controls color cast.
- Lock frame rate and aspect ratio so footage matches in edit. Frame rate is frames per second and aspect ratio is the frame shape.
- Capture thirty seconds of room tone so you can smooth gaps in dialog. Room tone is the natural sound of the space.
- Get planned b roll so edits cut cleanly and scenes feel real. B roll is extra footage that shows context.
- Review the first take on headphones and the screen so you catch hum, glare or clutter early.
- Offload to two drives and verify playback at breaks so nothing is lost.
If you want help, I offer Content & Media > Video & Animation. I can guide your team through this preflight and support planning and production.
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